From Toowoomba to the World

airports edition

One of the things that first struck me when I started reporting on the aviation beat is how Australia’s airports were forced to do much of the heavy lifting during COVID with little help. Or often, thanks.

The biggest constraint, of course, was that many airports were excluded from JobKeeper payments because they were technically council-owned. When I spoke to Mildura’s chairman, Peter O’Donnell, he sounded bleak back in May last year. “Nearly every bit of support we’re looking at is unavailable to us despite the fact we’re running 95 per cent down on revenue, and we’ve laid off 60 per cent of our staff,” he said. It was a situation that echoed up and down the country.

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But unlike airlines, which could, to some extent, enter hibernation, most airports had to soldier on. Australia is a country defined by the so-called tyranny of distance, and many aircraft need to stay in the air, from FIFO to emergency domestic flights, aerial firefighters or aeromedical personnel. Brisbane Airport’s chief executive, Gert-Jan de Graaff, summed up the collective stoicism last year when he pledged to “keep the lights on and the front door to Queensland open”.

Yet now, finally, things are on the up. Domestic flying is back on the agenda for many stir-crazy families, while the success of the vaccine rollout abroad gives us hope international flying could be back at the end of the year. Even when Brisbane went into lockdown a few weeks ago, passengers held their nerve to snap up the government’s half-price ticket deal.

If there’s a theme of this issue, it’s of resurgence. We speak to Avalon Airport’s Justin Giddings, who had to cope with a total absence of flights during Melbourne’s dark second lockdown to see how things are progressing. We outline how our biggest airports innovated due to the downturn, with the aforementioned Brisbane returning with a rebooted new runway. And we also outline the destinations set to benefit the most Australia’s cheap flights initiative.

Enjoy the issue,
Adam Thorn

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